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Lesson | 50 Minutes

What Makes a Good Interview?


Overview

LeesonPlan_4 art of the interview_Large.png

Preparation and practice are the keys to a successful interview and amazing story. This lesson uses a famous art project, Humans of New York, to reverse-engineer good interview questions and techniques. Before you write your own interview questions, understand your goal: to get soundbites that connect with your audience, illuminate the topic and move your story forward. Click on the Activities Tab to complete the lesson.

Central Questions

  • What makes an interview successful?
  • How can you prepare for an interview to ensure that you get the information and soundbites you need for your story?

Learning Outcomes

  • Learn how to write and ask good questions
  • Understand the importance of research and preparation
  • Practice listening
  • Learn how to use empathy and curiosity to guide a conversation -- critical communication skills for journalism and for life

When Would You Use This Lesson?

This lesson can be used at any time to build communication, problem-solving, and organization skills. Use this lesson as a stand-alone, or the warm-up to the interview preparation lesson as part of your student journalism project.

Media Literacy Connection

Interviews are central to most stories you see in the news. By doing an interview, students will have a much deeper understanding of the process, challenges, and decisions made by reporters and editors. These are all critical parts of media literacy and understanding the different elements of journalism that result in the video, audio, or text story that you find online.

Civics Connection

Practicing interviews will help students understand how people talk with one another and explore different perspectives. Additionally, students who go outside their school walls and conduct interviews with local leaders, experts, etc. are engaging with their community in powerful and meaningful ways. Interviews help students follow their curiosity, go beyond textbooks and google, and gives them a tool to explore topics in real-world situations.

Introduction

Interviewing requires you to actively listen, focus, think on your feet, and react appropriately to what the other person says. When you plan for an interview, you need to assess what you don’t know—a metacognitive skill—and learn a lot about the interview subject because otherwise, the interview will be awkward. This is real life, with real consequences if you’re unprepared and a real payoff if you do well—the heart of project-based learning.

Listening and really trying to appreciate where the other person is coming from is also an exercise in empathy and discovering how to connect. These life skills will help prepare students for college and jobs, and interviewing is a great way to address high school ELA and NGSS standards around communication, evaluating pertinent information, pulling important quotes, and emphasizing salient points, as well as ISTE and media literacy standards of digital production and multimedia presentations.

A really fun and engaging way to practice composing better questions is to reverse engineer Humans of New York, a project that started when photographer Brandon Stanton decided to tell the stories of 10,000 random people. Stanton meets people on the street, takes their picture, and interviews them. He publishes each picture with a snippet of the interview in which the person describes something significant from their life.

This lesson is based on an exercise that Iowa English teacher Sarah Brown Wessling created to help her students get to know each other.

Step 1: Reverse-engineer Good Questions

Estimated time to complete: 20 Minutes

Explain that today’s lesson is about how to write good interview questions.

You will use Humans of New York to reverse-engineer effective interview questions.

Show the following slides one at a time.

  • Ask a student to read the quote out loud.
  • Give students three minutes to write down three questions that Brandon Stanton could have asked to get these stories.
  • Share out questions and ask the rest of the class for feedback on each question.
  • Explain that reporters avoid yes or no questions.
  • Use the slides to call on a student and answer, “Do you like pizza?” Then call on other students with the more useful questions “Describe your favorite pizza.”
  • Point out the imagery in the student’s answer (ie: pepperoni, flat crust, from a certain pizza place) and how that begins to give you direction for your b-roll and visuals.
  • Useful ways to start questions include:
    • “Describe...”
    • “Tell me...”
    • “Identify...”
    • “Explain..."
    • “Help me understand…”
    • “How did that make you feel?”
  • Explain that good reporters ask follow-up questions. For example, if the reporter asked, “tell me about someone who has had a strong influence on your life” a follow-up question could be, “Describe your father’s office. How did it make you feel?”

View this video interview with Brandon Stanton, in which he recounts the background of “Humans of New York,” his motivation for pursuing it, and its growth into a global project.

After viewing, have students individually complete a “Connect-Extend-Challenge” reflection:

Consider what you have just read, seen, or heard, and then ask yourself:

  • How are the ideas and information connected to what you already know?
  • What new ideas did you get that broadened your thinking or extended it in different directions?
  • What challenges or puzzles emerge for you?

Then, as a whole group, discuss:

  • Why did Stanton extend this project beyond New York City?
  • According to Stanton, what unites people across the globe? Do you agree with this assessment?
  • How might Stanton need to adapt his communication style depending on the region of the world where he’s working, and depending on the subject that he’s working with?

Step 2: Time to Practice

Divide the class into groups of three for practice interviews. Explain that they are going to practice interviewing each other. Choose a goal for the interview:

  • A story about the person’s name (either first or last name).
  • A story about an obstacle you faced and what you did.
  • A story about a moment when you helped someone else or someone helped you.

Explain that reporters avoid yes or no questions.

  • Use the slides to call on a student and answer, “Do you like pizza?” Then call on other students with the more useful questions “Describe your favorite pizza”
  • Point out the imagery in the student’s answer (ie: pepperoni, flat crust, from a certain pizza place) and how that begins to give you details and visuals.
  • Useful ways to start questions include:
    • “Describe”
    • “Tell me”
    • “Identify”
    • “Explain’
    • “Help me understand …”
    • “How did that make you feel?”
  • Explain that good reporters ask follow-up questions. For example, If the reporter asked, “tell me about someone who has had a strong influence on your life” a follow up question could be, “Describe your father’s office. How did it make you feel?”

Each student will interview another student for 4 minutes and then the third person in the group will give them feedback on their questions and their interviewing technique. Keep Slide 11 up at the front of the room. (Student A interviews B, and Student C gives feedback; Student B interviews C and Student A gives feedback; Student C interviews Student A and Student B gives feedback)

Students should use this feedback template (Slide 11):

  1. Start with something that was successful about the interview
  2. Give specific feedback on areas to improve
  3. End with ideas for how to prepare for future interviews

At the end of the class, ask the reflection questions below.

Reflection

Ask: What did you learn from working on this project? What did you like best about it? What did you dislike and why?

Ask: How might interviewing skills be useful in your life right now? In the future?

Exit Ticket

  • What are four words you can use to start a question that will help get strong and useful answers?
  • What is a follow-up question and why would you use one?

ABOUT THIS RESOURCE

This resource is part of the Global Education Toolkit and was made possible with support from the Longview Foundation.

Interview

A conversation between two or more people where the purpose is to gather information and facts. The interviewer asks questions and the interviewee provides information based on their knowledge about a specific topic or issue.

Empathy

The term “empathy” is used to describe a wide range of experiences. A generally definition is the ability to sense other people’s emotions, coupled with the ability to imagine what someone else might be thinking or feeling. In media-making, creators can have empathy for their subjects and the audience can empathize with the characters.

Soundbite

A short extract or clip from a recorded interview, chosen for its relevance to the story, pungency or appropriateness.

Digital Citizenship

Students recognize the responsibilities and opportunities for positively contributing to their digital communities. (ISTE)

Empowered Learner

Students leverage technology to take an active role in choosing, achieving and demonstrating competency in their learning goals, informed by the learning sciences. (ISTE)

Creative Communicator

Students communicate clearly and express themselves creatively for a variety of purposes using the platforms, tools, styles, formats and digital media appropriate to their goals. (ISTE)

Demonstrate writing processes used in journalism and broadcasting media.

  • CCTC AR-JB 2.1: Demonstrate how to cultivate sources for stories.
  • CCTC AR-JB 2.2: Demonstrate how to obtain information to use in writing a story.
  • CCTC AR-JB 2.3: Develop written stories for print and broadcast.
  • CCTC AR-JB 2.4: Demonstrate how photographs support the development of stories.
  • CCTC AR-JB 2.5: Employ knowledge of the similarities and differences among editorial, feature, and news writing styles.
  • CCTC AR-JB 2.6: Define the terminology associated with journalism and broadcasting.
  • CCTC AR-JB 2.7: Develop a complete radio project.
  • CCTC AR-JB 2.8: Develop a complete television project.

Reading - Integration of Knowledge and Ideas

  • CCSS.ELA-LITERACY.L.9-10.7: Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden’s “Musée des Beaux Arts” and Breughel’s Landscape with the Fall of Icarus).
  • CCSS.ELA-LITERACY.L.9-10. 8 (Not applicable to literature)
  • CCSS.ELA-LITERACY.L.9-10.9: Analyze how an author draws on and transforms source material in a specific work (e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare).

Describe the diversity and variety of functions within the Journalism & Broadcasting Career Pathway.

  • CCTC AR-JB 1.1: Summarize the roles of journalism and broadcasting in society today using knowledge and history of journalism and broadcasting.
  • CCTC AR-JB 1.2: Distinguish between different forms of media and their specific applications.
  • CCTC AR-JB 1.3: Explain the value of having a broad general knowledge base and how awareness of cultural, regional, and diversity issues adds to a journalism and broadcasting career.
  • CCTC AR-JB 1.4: Analyze the business and economic factors that influence programming, content, and distribution.
  • CCTC AR-JB 1.5: Demonstrate professional conduct that follows a professional code of ethics.

Analyze the lifestyle implications and physical demands required in the arts, audio/visual technology and communications workplace.

  • CCTC AR 3.1: Summarize the physical preparation needed to maintain the work activities of pathways in this career cluster.
  • CCTC AR 3.2: Summarize lifestyle choices required to maintain the work activities of the pathways in this career cluster.
  • CCTC AR 3.3: Analyze ethical conduct that provides proper credit to those whose ideas and content have been used.
  • CCTC AR 3.4: Identify the proper use of proprietary information.
  • CCTC AR 3.5: Analyze contracts for potential work in career pathways within this cluster.
  • CCTC AR 3.6: Analyze state, county, and city codes related to decisions affecting work in this cluster.
  • CCTC AR 3.7: Analyze the First Amendment, FCC, the Freedom of Information Act, liability laws, and other regulations for compliance issues relevant to this cluster.
  • CCTC AR 3.8: Analyze the liabilities associated with productions and performances, media, and telecommunications installations.
  • CCTC AR 3.9: Examine labor management processes and agreements generally used in the arts, audio-video technologies, telecommunications, printing and media fields.

Speaking and Listening - Presentation of Knowledge and Ideas

  • CCSS.ELA-LITERACY.L.9-10.4: Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.
  • CCSS.ELA-LITERACY.L.9-10.5: Make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest.
  • CCSS.ELA-LITERACY.L.9-10.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.

Speaking and Listening - Comprehension and Collaboration

  • CCSS.ELA-LITERACY.L.9-10.1: Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
  • CCSS.ELA-LITERACY.L.9-10.2: Integrate multiple sources of information presented in diverse media or formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of each source.
  • CCSS.ELA-LITERACY.L.9-10.3: Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, identifying any fallacious reasoning or exaggerated or distorted evidence.

Writing - Research to Build and Present Knowledge

  • CCSS.ELA-LITERACY.L.9-10.7: Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.
  • CCSS.ELA-LITERACY.L.9-10.8: Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the usefulness of each source in answering the research question; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and following a standard format for citation.
  • CCSS.ELA-LITERACY.L.9-10.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.

Writing - Text Types and Purposes

  • CCSS.ELA-LITERACY.L.9-10.1: Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
  • CCSS.ELA-LITERACY.L.9-10.2: Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.
  • CCSS.ELA-LITERACY.L.9-10.3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Reading - Craft and Structure

  • CCSS.ELA-LITERACY.L.9-10.4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).
  • CCSS.ELA-LITERACY.L.9-10.5: Analyze how an author’s choices concerning how to structure a text, order events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise.
  • CCSS.ELA-LITERACY.L.9-10.6: Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature.

Reading - Key Ideas and Details

  • CCSS.ELA-LITERACY.L.9-10.1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-LITERACY.L.9-10.2: Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-LITERACY.L.9-10.3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
Topics

Journalism

Civics

Media Literacy

Lessons

Levels

Beginner

Intermediate

Materials

Slides

Notebook

Estimated Time

50 Minutes