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Lesson | 50 Minutes

Art of the Interview


Overview

Screenshot 2026-10-22 at 1.42.16 PM

Preparation and practice are the keys to a successful interview and amazing story. The goal of the interview is to get soundbites that connect with your audience, illuminate the topic, and move your story forward. This lesson can be used alone or in conjunction with:

Central Questions

  • What makes an interview successful?
  • How can you prepare for an interview to ensure you get the footage you need for your story?

Learning Outcomes

  • Learn how to write and ask good questions
  • Understand the importance of research and preparation
  • Practice listening
  • Learn how to use empathy and curiosity to guide a conversation -- critical communication skills for journalism and for life

Introduction

Interviewing requires you to actively listen, focus, think on your feet, and react appropriately to what the other person says. When you plan for an interview, you need to assess what you don’t know—a metacognitive skill—and learn a lot about the interview subject because otherwise, the interview will be awkward. This is real life, with real consequences if you’re unprepared and a real payoff if you do well—the heart of project-based learning.

Listening and really trying to appreciate where the other person is coming from is also an exercise in empathy and discovering how to connect. These life skills will help prepare students for college and jobs, and interviewing is a great way to address high school ELA and NGSS standards around communication, evaluating pertinent information, pulling important quotes, and emphasizing salient points, as well as ISTE and media literacy standards of digital production and multimedia presentations.

Use these slides with your students to help them prepare for their interview.

Explain what makes a good interview question

Ask students to fill in their pitch sheet and, if they have not already done so, spend 10 minutes writing their interview questions.

  • Use slides 7-12 and explain that reporters avoid yes or no questions. Call on a student and answer, “Do you like pizza?” Then call on other students with the more useful questions “Describe your favorite pizza”
  • Point out the imagery in the student’s answer (ie: pepperoni, flat crust, from a certain pizza place) and how that offers direction for b-roll and visuals.
  • Useful ways to start questions include:
    • “Describe...”
    • “Tell me...”
    • “Identify...”
    • “Explain..."
    • “Help me understand..."
    • “How did that make you feel?”
  • Suggest students ask a general question like “please explain who you are and what you do” at the beginning and repeat the question towards the end several times so that the subject becomes comfortable and gives the reporter several versions to use.

Learn to listen and use follow-up questions

Explain that good reporters ask follow-up questions.

Play one of these two interviews and ask students to look for follow-up questions. You can use the transcript to highlight the follow-up questions and ask students why the reporter had to follow-up.

  • NewsHour Chief Correspondent Amna Nawaz interviews Afghan President Ashraf Ghani
    VIDEO + TRANSCRIPT
  • NewsHour Correspondent William Brangham interviews the CEO of the Dakota Access Pipeline
    VIDEO + TRANSCRIPT

Interview strategies

Review what makes a good interview (slides 15-29)

  • Share your enthusiasm. Why are you interested in this person? Start off by explaining why you want to do this story.
  • You can ask your subject to repeat an answer.
    • “My questions will NOT be part of the final piece so please answer in a full sentence or please include part of the question as part of your answer.”
    • Ask them to restate an answer if it goes on too long, or seems incoherent. It is OK to do this.
    • “That was a great response, and it really covers a few areas. Can you talk about the first area a little more?”
    • “That was a great response, can you say that again in under 20 seconds?”
  • Respect their time! Preparation helps you be efficient and make fewer mistakes.

Keys to being a good interviewer:

  • Transparency.
  • Build trust: as the producer, you want them to look and sound good.
  • Your subject should feel that you have their back.

Before you end the interview:

“What would you like to add? Something we did not cover?”

“What are some misconceptions you’d like to clear up?”

Always debrief after an interview write down your impressions

Write your questions, get feedback

Divide the class into groups of three to practice their questions.

Explain that each student is going to read their questions and look at their subject as they would in the real interview. Then, students will share feedback to make their questions stronger.

After the group activity, ask each student to share out a question that they want to make better and engage the class in brainstorming ways to make it stronger.

Transcribing

Explain that after the interview is complete, they will transcribe the audio file.

Transcribing is the key to understanding what to use in your story. Play this video produced by students at Etiwanda High School in California to understand why students will not want to transcribe, but really need to!

When your students have finished their transcriptions, the next step is Scripting

Reflection

Ask students: What did you learn from working on this project? What did you like best about it? What did you dislike and why?

Ask students: How might interviewing skills be useful in your life right now? In the future?

Exit Ticket

What are four words you can use to start a question that will help get strong and useful answers?

What is a follow-up question and why would you use one?

About This Lesson

Learning Outcomes
Students will learn how to research and prepare for an interview, write and ask strong questions, listen closely, and use empathy and curiosity to guide a conversation—critical communication skills for journalism and for life.

When Would You Use This Lesson?
Use this lesson when students are ready to conduct a remote or in-person interview.

Media Literacy + Civics Connection
Interviews are central to most stories in the news. By practicing interviews, students gain a deeper understanding of the reporting process, including the research, conversations, challenges, and decisions that shape the stories they see, hear, and read. Interviews also help students explore different perspectives, follow their curiosity, and connect with people and communities beyond the classroom. Whether they're interviewing a local leader, expert, or community member, students get a real-world tool for learning about the world beyond textbooks and Google.

Teacher Tested & Approved

How are educators putting this resource to work?

LEARN FROM GREAT INTERVIEWS

“I show this video because some people still remember Katie Couric in my classes and her empathy in interviews is SO strong!”
— Heather Putnam, Desert Edge High School Arizona

Try this: Pair the lesson with a strong example of interviewing in action. Heather uses an interview that demonstrates empathy, giving students a chance to notice what makes an interview feel thoughtful, authentic, and human.

HOOK THEM WITH THE BLOOPERS

“I love showing (school appropriate) broadcast interview bloopers…as a hook and discuss takeaways, how to predict/avoid common interview issues, etc.”
— Morgan Bricker, Weir High School, West Virginia

Try this: Start with a few carefully vetted interview bloopers and ask students: What went wrong? What could the interviewer have done differently? It’s a fun way to get students thinking about good interviewing before they ever pick up a microphone.

CONNECT INTERVIEWING TO STORY PITCHES

“After we’ve gotten to the point of interviewing someone in class about a simple topic, I direct the students to go back and edit the Find Your Story pitch using the skills they’ve learned about how to write a good question.”
— Julie Tiedens, Black River Falls High School, Wisconsin

Try this: Don’t let the interview lesson live in isolation. Have students revisit a story pitch they’ve already created and revise their interview questions using what they’ve learned. Then, writing a good question becomes part of actually making a story.

MAKE YOURSELF THE INTERVIEW SUBJECT

“At the end of the lesson, I become the interview subject.”
— Robert Casas, Westview High School San Diego, California

Try this: Let students brainstorm a story about you! Anything from what it’s like to be a teacher in 2026 to how career paths can change over time. Students practice setting up and conducting the interview, then get feedback from you as the interview subject and reflect on their own performance.

WHY IT WORKS

Art of the Interview doesn’t have to be a one-and-done lesson. Teachers are using it to study strong examples, laugh through interview bloopers, practice with real subjects, strengthen story pitches, and build the confidence and empathy that make for better interviews.

The best part? The lesson gets students interviewing pretty quickly, and then gives them lots of ways to keep practicing.

See more teacher-tested ideas and share what’s working in the SRL Community Commons here.

Interview

A conversation between two or more people where the purpose is to gather information and facts. The interviewer asks questions and the interviewee provides information based on their knowledge about a specific topic or issue.

Empathy

The term “empathy” is used to describe a wide range of experiences. A generally definition is the ability to sense other people’s emotions, coupled with the ability to imagine what someone else might be thinking or feeling. In media-making, creators can have empathy for their subjects and the audience can empathize with the characters.

Soundbite

A short extract or clip from a recorded interview, chosen for its relevance to the story, pungency or appropriateness.

Determining Helpful Sources

Determine the kinds of sources that will be helpful in answering compelling and supporting questions, taking into consideration multiple points of view represented in the sources, the types of sources available, and the potential uses of the sources. (NCSS D1.5.9-12)

Language - Vocabulary Acquisition and Use

  • CCSS.ELA-LITERACY.L.9-10.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grades 9–10 reading and content, choosing flexibly from a range of strategies.
  • CCSS.ELA-LITERACY.L.9-10.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
  • CCSS.ELA-LITERACY.L.9-10.6: Acquire and use accurate general academic and domain-specific words and phrases, sufficient for reading, writing, speaking, and listening at the college and career readiness level; demonstrate independence in gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression.

Reading - Range of Reading and Level of Text Complexity

  • CCSS.ELA-LITERACY.L.9-10.10: By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9–10 text complexity band proficiently, with scaffolding as needed at the high end of the range.
    By the end of grade 10, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 9–10 text complexity band independently and proficiently.

Gathering and Evaluating Sources

Whether students are constructing opinions, explanation, or arguments, they will gather information from a variety of sources and evaluate the relevance of that information. (NCSS D3.1.9-12 - D3.2.9-12)

Creative Communicator

Students communicate clearly and express themselves creatively for a variety of purposes using the platforms, tools, styles, formats and digital media appropriate to their goals. (ISTE)

Speaking and Listening - Presentation of Knowledge and Ideas

  • CCSS.ELA-LITERACY.L.9-10.4: Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.
  • CCSS.ELA-LITERACY.L.9-10.5: Make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest.
  • CCSS.ELA-LITERACY.L.9-10.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.

Writing - Research to Build and Present Knowledge

  • CCSS.ELA-LITERACY.L.9-10.7: Conduct short as well as more sustained research projects to answer a question (including a self-generated question) or solve a problem; narrow or broaden the inquiry when appropriate; synthesize multiple sources on the subject, demonstrating understanding of the subject under investigation.
  • CCSS.ELA-LITERACY.L.9-10.8: Gather relevant information from multiple authoritative print and digital sources, using advanced searches effectively; assess the usefulness of each source in answering the research question; integrate information into the text selectively to maintain the flow of ideas, avoiding plagiarism and following a standard format for citation.
  • CCSS.ELA-LITERACY.L.9-10.9: Draw evidence from literary or informational texts to support analysis, reflection, and research.

Writing - Text Types and Purposes

  • CCSS.ELA-LITERACY.L.9-10.1: Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
  • CCSS.ELA-LITERACY.L.9-10.2: Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.
  • CCSS.ELA-LITERACY.L.9-10.3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Reading - Craft and Structure

  • CCSS.ELA-LITERACY.L.9-10.4: Determine the meaning of words and phrases as they are used in the text, including figurative and connotative meanings; analyze the cumulative impact of specific word choices on meaning and tone (e.g., how the language evokes a sense of time and place; how it sets a formal or informal tone).
  • CCSS.ELA-LITERACY.L.9-10.5: Analyze how an author’s choices concerning how to structure a text, order events within it (e.g., parallel plots), and manipulate time (e.g., pacing, flashbacks) create such effects as mystery, tension, or surprise.
  • CCSS.ELA-LITERACY.L.9-10.6: Analyze a particular point of view or cultural experience reflected in a work of literature from outside the United States, drawing on a wide reading of world literature.

Reading - Key Ideas and Details

  • CCSS.ELA-LITERACY.L.9-10.1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-LITERACY.L.9-10.2: Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-LITERACY.L.9-10.3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.

Topics

Journalism

Media Literacy

Digital Literacy/Citizenship

Broadcast News

Lessons

Levels

Beginner

Intermediate

Advanced

Materials

Slides

Projector

Internet

Notebook

Estimated Time

50 Minutes