Back to SRL Storymaker Resource Library

Lesson | 50 - 60 Minutes

Shifting the Frame


Overview

Students will visually map portrayals of their communities in the news media. The result will be a graphic organizer of unique perspectives and story ideas. Click on the Activities Tab to complete the lesson.

Central Questions

  • What communities do you belong to and why?
  • How are communities portrayed in the news media?
  • Are you connected to a global community through shared culture, or interests online (for example: through interest in gaming, climate change, human rights, or social media)?

Learning Outcomes

  • Establish communities that students are a part of
  • Understand how communities are represented and misrepresented in the news media
  • Make connections from local to global communities
  • Recognize the value of student voices

When Would You Use This Lesson?

  • In a unit on media literacy to analyze how media narratives are constructed
  • As prep for student story pitches in journalism, digital media, and film classes
  • As a discussion about community and representation in the news media

Media Literacy Connections

Students start to critically think about news media and analyze how media narratives are constructed and the consequences of missing voices.

Global Citizenship Connections

Students start to become aware of international perspectives, knowledgeable about global issues and become more aware of themselves as global citizens.

Civics Connections

Students begin to develop an understanding of how different aspects of communities are covered in the news media. Visually mapping communities that students care about helps them make connections to their own civic identity and understand how different communities see and don’t see each other. Students will also consider the differences between local and national communities they might belong to.

Introduction

When we take pictures, no matter how we choose to frame our subject, there is always something that gets cropped out or left out of the picture. In news stories, when we talk about framing, or sometimes called The Framing Effect, it’s similar to what happens when we take a snapshot. Storytelling in news media presents a “frame” or window into important events or topics.

Main Activity

Virtual Option: The activity below is meant to be in person, but you can use this Jamboard template to complete it virtually and follow the same steps. Alternatively, you can use other digital whiteboard apps.

What communities do you belong to? Give each participating student 20 post-it notes.

Round I: Represent

Step 1 - Teacher asks students: What does the term community mean to them? Discuss or write responses on board. From their responses, explain that “community” can mean different things to different people. A common definition is a group of people with a common characteristic or interest living together within a larger society

Step 2 - At the top of individual post-it notes, students write at least three communities they believe they are a part of. Communities may be as general as “Musicians” or “Students” and as specific as “Buddhist” or “Environmental club.” Here, you can also discuss that everyone might belong to a variety of local and national communities.

Example:

shifting-the-frame-fig-1.png

Round II: Roll Call

  • On a whiteboard or chalkboard write the headline “Our Class.”
  • Have students post their notes from Round I under the headline.
  • Read their post-its aloud or choose students to read the post-its aloud.
  • Ask students what they notice about the diverse interests of communities present in their class.

shifting-the-frame-fig-2.png

Round III: Shifting the Frame

  • On the board draw two “frames.”
  • Next to one frame write “What’s in the Frame” and next to the second frame write “What I Wish People Knew...”

Shifting The Frame 3
  • Divide students into small groups.
  • Have each group pick three of the post-its from Round II.
  • At the bottom of each post-it, have students write a list of some of the common narratives in mainstream media about this community.
  • Ask students: “How is this community usually framed in the news and media? What are the common stories told about it?”
  • Map your post-its by adding them to “What’s in the frame?”
  • Next, have students take fresh post-it notes. Ask students what stories they wish were told about this community. You may phrase this: What do you wish people knew about this? What is left out in the way this community is typically framed by the media?
  • Pick the same communities from “What’s in the Frame,” write them on the new post-its and answer the questions above.
  • Map your answers in “I wish people knew”

Shifting The Frame: What's in the Frame

Round IV: Who We Are…

  1. Pick a community that all your students are a part of. This could be “Teenagers,” “Youth,” “South Carolinians,” “New Yorkers,” etc.
  2. As a class, fill out some post-its for “What’s in the Frame” and “What I Wish People Knew…”
  3. Finally have students complete a self-reflection.

Reflection

Point out to students that everything in the “What I Wish People Knew…” frame includes stories and perspectives that are unique insights from this class. Explain that PBS Newshour is a national television and online news program and that Student Reporting Labs connects thousands of students across the country. Producing a story is an opportunity to give voice to these missing perspectives: if you don’t tell these stories, they won’t get told.

**Recommendation: Keep your post-it notes as potential story ideas in the future.**

Reflection exercise:

  • Pick one of the post-its from “What I Wish People Knew…”
  • Then, pick one of the narratives or frames you wish people knew about. In news stories, a frame can also be considered an “angle,” or a specific viewpoint or perspective from which a writer chooses to tell the story. What other story angles would you explore if you could, and why?

Bonus Activity

What issues do you care most about? This can be used as a follow-up or homework assignment.

Estimated time to complete: 30 Minutes

Step 1 - Teacher asks students: What is an issue? From their responses, follow up by asking: How do news organizations cover issues?

Step 2 - Students fill out this graphic organizer, modeled after the first activity in this lesson, to explore the issues in the news media that they care the most about. These could be current events that impact their families, neighborhoods, states, or country.

Exit Ticket

Self-reflection is important. Distribute copies of the Exit Ticket for Shifting the Frame.

ABOUT THIS RESOURCE

This resource is part of the Global Education Toolkit and was made possible with support from the Longview Foundation.

Media

Media refers to all electronic or digital means and print or artistic visuals used to transmit messages.

Source: NAMLE

News Media

All forms of media created with the purpose of informing the public and delivering news through specific mediums such as radio and broadcast stations, digital news organizations and others.

Issue

​​A subject or problem that people are thinking and talking about

Source: Cambridge Dictionary

Community

A group of people who live in the same area (such as a city, town, or neighborhood). It can also be a group of people who have the same interests, religion, race, etc.

Source: Merriam Webster

The Framing Effect

In news media, when storytelling presents a “frame” or window into important events or topics.

Stereotype

A simplified and standardized conception or image invested with special meaning and held in common by members of a group; a set form or convention

Source: Dictionary.com

Diversity

The condition of having or being composed of differing elements. Especially in the context of the inclusion of people of different races, cultures, etc. in a group or organization

Source: Merriam Webster

Inclusion

The act or practice of including and accommodating people who have historically been excluded (as because of their race, gender, sexuality, or ability)

Source: Merriam Webster

Perception

Awareness of the elements of environment through physical sensation or intuitive cognition. A capacity for comprehension and understanding.

Source: Merriam Webster

Empathy

The term “empathy” is used to describe a wide range of experiences. A generally definition is the ability to sense other people’s emotions, coupled with the ability to imagine what someone else might be thinking or feeling. In media-making, creators can have empathy for their subjects and the audience can empathize with the characters.

Digital Citizenship

Students recognize the responsibilities and opportunities for positively contributing to their digital communities. (ISTE)

Empowered Learner

Students leverage technology to take an active role in choosing, achieving and demonstrating competency in their learning goals, informed by the learning sciences. (ISTE)

Knowledge Constructor

Students critically curate a variety of resources using digital tools to construct knowledge, produce creative artifacts and make meaningful learning experiences for themselves and others. (ISTE)

Language - Vocabulary Acquisition and Use

  • CCSS.ELA-LITERACY.L.9-10.4: Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grades 9–10 reading and content, choosing flexibly from a range of strategies.
  • CCSS.ELA-LITERACY.L.9-10.5: Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.
  • CCSS.ELA-LITERACY.L.9-10.6: Acquire and use accurate general academic and domain-specific words and phrases, sufficient for reading, writing, speaking, and listening at the college and career readiness level; demonstrate independence in gathering vocabulary knowledge when considering a word or phrase important to comprehension or expression.

Reading - Range of Reading and Level of Text Complexity

  • CCSS.ELA-LITERACY.L.9-10.10: By the end of grade 9, read and comprehend literature, including stories, dramas, and poems, in the grades 9–10 text complexity band proficiently, with scaffolding as needed at the high end of the range.
    By the end of grade 10, read and comprehend literature, including stories, dramas, and poems, at the high end of the grades 9–10 text complexity band independently and proficiently.

Global Collaborator

Students use digital tools to broaden their perspectives and enrich their learning by collaborating with others and working effectively in teams locally and globally. (ISTE)

Analyze the legal and ethical responsibilities required in the arts, audio/visual technology and communications workplace.

  • CCTC AR 4.1: Analyze the legal and ethical responsibilities required in the arts, audio/visual technology and communications workplace.

Language - Knowledge of Language

  • CCSS.ELA-LITERACY.L.9-10.3: Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Reading - Integration of Knowledge and Ideas

  • CCSS.ELA-LITERACY.L.9-10.7: Analyze the representation of a subject or a key scene in two different artistic mediums, including what is emphasized or absent in each treatment (e.g., Auden’s “Musée des Beaux Arts” and Breughel’s Landscape with the Fall of Icarus).
  • CCSS.ELA-LITERACY.L.9-10. 8 (Not applicable to literature)
  • CCSS.ELA-LITERACY.L.9-10.9: Analyze how an author draws on and transforms source material in a specific work (e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare).

Describe the diversity and variety of functions within the Journalism & Broadcasting Career Pathway.

  • CCTC AR-JB 1.1: Summarize the roles of journalism and broadcasting in society today using knowledge and history of journalism and broadcasting.
  • CCTC AR-JB 1.2: Distinguish between different forms of media and their specific applications.
  • CCTC AR-JB 1.3: Explain the value of having a broad general knowledge base and how awareness of cultural, regional, and diversity issues adds to a journalism and broadcasting career.
  • CCTC AR-JB 1.4: Analyze the business and economic factors that influence programming, content, and distribution.
  • CCTC AR-JB 1.5: Demonstrate professional conduct that follows a professional code of ethics.

Analyze the lifestyle implications and physical demands required in the arts, audio/visual technology and communications workplace.

  • CCTC AR 3.1: Summarize the physical preparation needed to maintain the work activities of pathways in this career cluster.
  • CCTC AR 3.2: Summarize lifestyle choices required to maintain the work activities of the pathways in this career cluster.
  • CCTC AR 3.3: Analyze ethical conduct that provides proper credit to those whose ideas and content have been used.
  • CCTC AR 3.4: Identify the proper use of proprietary information.
  • CCTC AR 3.5: Analyze contracts for potential work in career pathways within this cluster.
  • CCTC AR 3.6: Analyze state, county, and city codes related to decisions affecting work in this cluster.
  • CCTC AR 3.7: Analyze the First Amendment, FCC, the Freedom of Information Act, liability laws, and other regulations for compliance issues relevant to this cluster.
  • CCTC AR 3.8: Analyze the liabilities associated with productions and performances, media, and telecommunications installations.
  • CCTC AR 3.9: Examine labor management processes and agreements generally used in the arts, audio-video technologies, telecommunications, printing and media fields.

Speaking and Listening - Presentation of Knowledge and Ideas

  • CCSS.ELA-LITERACY.L.9-10.4: Present information, findings, and supporting evidence clearly, concisely, and logically such that listeners can follow the line of reasoning and the organization, development, substance, and style are appropriate to purpose, audience, and task.
  • CCSS.ELA-LITERACY.L.9-10.5: Make strategic use of digital media (e.g., textual, graphical, audio, visual, and interactive elements) in presentations to enhance understanding of findings, reasoning, and evidence and to add interest.
  • CCSS.ELA-LITERACY.L.9-10.6: Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.

Speaking and Listening - Comprehension and Collaboration

  • CCSS.ELA-LITERACY.L.9-10.1: Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
  • CCSS.ELA-LITERACY.L.9-10.2: Integrate multiple sources of information presented in diverse media or formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of each source.
  • CCSS.ELA-LITERACY.L.9-10.3: Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, identifying any fallacious reasoning or exaggerated or distorted evidence.

Writing - Text Types and Purposes

  • CCSS.ELA-LITERACY.L.9-10.1: Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
  • CCSS.ELA-LITERACY.L.9-10.2: Write informative/explanatory texts to examine and convey complex ideas, concepts, and information clearly and accurately through the effective selection, organization, and analysis of content.
  • CCSS.ELA-LITERACY.L.9-10.3: Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences.

Reading - Key Ideas and Details

  • CCSS.ELA-LITERACY.L.9-10.1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-LITERACY.L.9-10.2: Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-LITERACY.L.9-10.3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
Topics

Journalism

Representation

Stereotypes and Misconceptions

Civics

Media Literacy

Lessons

Levels

Beginner

Intermediate

Materials

Post It Notes

White board, chalkboard or other visual board

Markers

Slides

Online Worksheet

Internet

Projector

Estimated Time

50 - 60 Minutes