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Lesson | 1 Week

LESSON 3: Science Communication Guide - Filming 90-Second Stories


OVERVIEW

ScienceCommunication Guide Photo1

This is part of a four-lesson Science Communication Guide. Full guide and additional lessons linked here.

This lesson is all about action. Students move beyond planning and dive into the hands-on work of filming their stories. It’s where ideas meet technique. Instead of just pressing record, they’ll learn how to frame shots that draw people in, capture sound that’s easy to hear, and use lighting to create focus and depth, all with tools they likely already have, like a smartphone.

LEARNING OUTCOMES

Students will:

  • Learn and put into practice key camera and audio methods for filming on mobile devices.
  • Work goal-setting and audience adaptation lessons into their video-making process.
  • Get better at taking various shots that boost storytelling.
  • Gain more trust in using mobile devices and add-ons to make high-quality video content.

PART 1: Mobile Filmmaking Basics

Estimated time: 15 minutes

  • Goal: Learn the fundamentals to make videos using smartphones or tablets.
  • Key Takeaways:
  • Practical Session: Getting Good at Different Shots (30 minutes)
  • Instructions: Put students in pairs or small groups and give them a list of key shots to practice, including:
    • Wide Shot (WS): Shows the whole scene and sets the context.
    • Medium Shot (MS): Strikes a balance between focusing on the subject and showing background details.
    • Close-Up (CU): Draws attention to specific details or expressions. - Over-the-Shoulder (OTS): Gives perspective during action or dialogue. -
    • B-Roll Footage: Captures extra visuals to add depth to the main story (e.g. close-ups of science tools, hands doing experiments).
    • Use this guide for setting up your shots.
  • Exercise: Students take turns to film these shots keeping their project goals and audience in mind. Tell them to try out different angles to make their storytelling more interesting.

PART 2: Getting Audio Right

Estimated time: 15 minutes

  • Goal: Make sure your sound is super clear so everyone can hear you well.
  • Key Takeaways:
    • Using Mics: Try clip-on or handheld mics if you have them, or get the most out of your computer's mic (like sitting close and keeping the room quiet).
    • Environment: Pick a quiet filming location and use things like cloth or foam to cut down on unwanted noise.
    • Exercise: Students check audio quality by recording a short 30-second conversation or story and seeing how clear it is. Give quick fixes for common sound problems.

PART 3: Shedding Light on Phone Filmmaking

Estimated time: 15 minutes

  • Goal: Understand how to use natural and artificial light well.
  • Key Takeaways:
    • Use Natural Light Well: Place people in the right spots (like using side light to add depth, or front light to make things clear).
    • Basic Lighting Setup: Use lamps or LED lights to make everything look balanced.
    • Fix Shadows and Too Much Light: Try spreading out light with everyday stuff (like white cloth or paper).
    • Hands-On Task: Students set up a filming area using lights they can find and take a quick test shot to see how different lighting tricks work.
    • Use this StoryMaker guide to walk through lighting best practices

PART 4: Putting Goals and Audience Insights into Action

Estimated time: 15 minutes

  • Goal: Use ideas from Lessons 1 and 2 while filming. Refer to your Defining Goals Worksheet and Identifying Your Audience Worksheet 1 and Worksheet 2 if needed.
  • Activity: Each group shoots a 30-second sample video that matches their set goal and suits their intended viewers. Push for a mix of shot styles, clear sound, and smart lighting choices.
  • Peer Evaluation: Groups show their sample videos and get helpful comments on how their filming methods fit their story aims and what the audience wants.
  • Reflection & Closing Activity (10 minutes)
    • Discussion: Lead a talk about the most useful filming methods and how they made initial plans better or tougher.
    • Closing Activity: Students write down one good filming skill they learned and one thing to work on for their full video project.

TEACHER'S NOTES

  • Highlight how practicing these methods outside of class helps build self-assurance.
  • Give tips to fix common problems (like shaky footage or bad sound).
  • When possible, show pro-level short science videos that use the techniques you've taught.
  • Tell students their aims and who they're making the video for should guide every choice they make while filming. This leads to focused powerful content.

OPTIONAL EXTRA

  • Let students try basic editing on their practice shots to get a sneak peek at the final production step.

Media

Media refers to all electronic or digital means and print or artistic visuals used to transmit messages.

Source: NAMLE

Community

A group of people who live in the same area (such as a city, town, or neighborhood). It can also be a group of people who have the same interests, religion, race, etc.

Source: Merriam Webster

Proximity

Local information and events are newsworthy because they affect the people in our community and region. We care more about things that happen “close to home.”

Relevance

People are attracted to information that helps them make good decisions. If you like music, you find musician interviews relevant. If you’re looking for a job, the business news is relevant. We need to depend on relevant information that helps us make decisions.

Story Angle

In news, it’s a story’s point or theme. It's the lens through which the producer or writer filters the information they have gathered and focuses it to make it meaningful to viewers or readers.

Source: ThoughCo.

Audience

The people who read, watch and consume news. Often, journalists think about audience and newsworthiness in similar ways. How will the news story serve their local or national audience? Who am I writing the story for and why?

Interview

A conversation between two or more people where the purpose is to gather information and facts. The interviewer asks questions and the interviewee provides information based on their knowledge about a specific topic or issue.

Story

An account of past or current events. In journalism, stories are presented with a combination of people, facts, and typically includes a beginning, middle and end.

Character

A person or other physical being in a narrative. Stories are made up of different characters who provide information and help shape the narrative with their knowledge, experience and perspective.

Script

A document with transcribed (written-out) soundbites and voiceover narration. A VIDEO script is a two-column document with the audio (soundbites and voice over) in the right-hand column and a description of what the audience sees (visuals) in the left-hand column.

Conflict

When violence strikes or when people argue about actions, events, ideas or policies, we care. Conflict and controversy attract our attention by highlighting problems or differences within the community or between groups. Sometimes conflict can be subtle and manifest as tension.

Empathy

The term “empathy” is used to describe a wide range of experiences. A generally definition is the ability to sense other people’s emotions, coupled with the ability to imagine what someone else might be thinking or feeling. In media-making, creators can have empathy for their subjects and the audience can empathize with the characters.

Voiceover

Narration done by a broadcast reporter, usually reading from a script. The reporter's voice is recorded over a sequence of video clips that tell a story.

Source: Berkeley Advanced Media Institute

Sequence

A sequence is a series of shots of an action or scene. A classic action sequence consists of a combination of at least three shots of an action in sequential order.

Shot List

A document with the details of each shot of the scene or action sequence you plan to record. It contains the Shot Number, Composition/Angle, and Description.

Extreme Long Shot

Commonly used as an establishing shot.

Long Shot / Wide Shot

Full shot of the person or location. Full body.

Medium Shot

Half body, normally from the waist up.

Close Up

Close Up of the face including neck and shoulders in the shot. Also used for objects.

Extreme Close Up

Shows parts of a person or object in detail.

Over-the-shoulder Shot

Shows a person’s back of head and shoulder looking at someone or something.

Creative shots

These can include low/high angles, dollies, POVs (point-of-view), rack focus, etc.

Soundbite

A short extract or clip from a recorded interview, chosen for its relevance to the story, pungency or appropriateness.

A-Roll

The primary video and audio that drives your story from beginning to end.

Evidence

The availability of facts or information indicating whether a belief or proposition is true or valid

Expert

A person who has a comprehensive and authoritative knowledge of or skill in a particular area.

Fact

Something that is known or proved to be true.

Research

An investigation into and study of sources in order to establish facts and reach new conclusions.

Source

A source is an individual, company, document or more that can provide information to fuel a new story. In order for a story to be considered verified and to maintain a reputation as a news outlet, it is important to have a credible source.

Natural sound

Sounds produced in their actual setting. Natural sound, commonly known as NAT sound, puts the viewer in the place the story was told by enhancing the scene(s) with video containing rich audio such as a musician singing at a train station, a storm approaching, or the sound of a tractor plowing the field.

Narrator

A person who gives an account or tells the story of events, experiences, etc. In news, it is the person who adds spoken commentary to the video news story.

Subject

The main person or character in a story. There can be multiple subjects in a story. The subject can also be the main theme of your story.

Feedback

After someone reviews your work, it is good practice to receive feedback, or an evaluation of your work based on certain standards. Feedback from multiple perspectives is an important part of the process. Masterpieces are rarely created in isolation.

B-roll

The supplemental footage used to visually support your A-ROLL.

Search: broll.

Empowered Learner

Students leverage technology to take an active role in choosing, achieving and demonstrating competency in their learning goals, informed by the learning sciences. (ISTE)

Knowledge Constructor

Students critically curate a variety of resources using digital tools to construct knowledge, produce creative artifacts and make meaningful learning experiences for themselves and others. (ISTE)

Demonstrate the use of basic tools and equipment used in audio, video and film production.

  • CCTC AR 2.1: Assess workplace conditions with regard to safety and health.

Creative Communicator

Students communicate clearly and express themselves creatively for a variety of purposes using the platforms, tools, styles, formats and digital media appropriate to their goals. (ISTE)

Analyze the interdependence of the technical and artistic elements of various careers within the Arts, A/V Technology & Communications Career Cluster

  • CCTC AR 1.1: Summarize the features of the partnership that technology and the arts have in developing presentations and productions.
  • CCTC AR 1.2: Analyze how the roles of creators, performers, technicians, and others are similar and different from one another.
  • CCTC AR 1.3: Discuss how specific organizational policies, procedures, and rules help employees perform their jobs.
  • CCTC AR 1.4: State how various Career Pathways within the cluster work together to generate productions, media, and other activities.

Language - Knowledge of Language

  • CCSS.ELA-LITERACY.L.9-10.3: Apply knowledge of language to understand how language functions in different contexts, to make effective choices for meaning or style, and to comprehend more fully when reading or listening.

Plan and deliver a media production (e.g., broadcast, video, web, mobile).

  • CCTC AR-JB 3.1: Analyze the elements of a newscast production.
  • CCTC AR-JB 3.2: Analyze individual announcing competence.
  • CCTC AR-JB 3.3: Identify wardrobe suitable for on-camera appearances.
  • CCTC AR-JB 3.4: Analyze production functions..
  • CCTC AR-JB 3.5: Demonstrate promoting productions.
  • CCTC AR-JB 3.6: Analyze how image capturing and graphics design support the development of electronic presentations.
  • CCTC AR-JB 3.7: Distinguish amongst various musical radio formats.

Demonstrate technical support skills for audio, video and film productions.

  • CCTC AR-JB 4.1: Examine equipment and its function.
  • CCTC AR-JB 4.2: Examine production activities.
  • CCTC AR-JB 4.3: Explain how to run a board shift.
  • CCTC AR-JB 4.4: Examine set design principles and practices.

Speaking and Listening - Comprehension and Collaboration

  • CCSS.ELA-LITERACY.L.9-10.1: Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9–10 topics, texts, and issues, building on others’ ideas and expressing their own clearly and persuasively.
  • CCSS.ELA-LITERACY.L.9-10.2: Integrate multiple sources of information presented in diverse media or formats (e.g., visually, quantitatively, orally) evaluating the credibility and accuracy of each source.
  • CCSS.ELA-LITERACY.L.9-10.3: Evaluate a speaker’s point of view, reasoning, and use of evidence and rhetoric, identifying any fallacious reasoning or exaggerated or distorted evidence.

Writing - Production and Distribution of Writing

  • CCSS.ELA-LITERACY.L.9-10.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.)
  • CCSS.ELA-LITERACY.L.9-10.5: Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1–3 up to and including grades 9–10.)
  • CCSS.ELA-LITERACY.L.9-10.6: Use technology, including the Internet, to produce, publish, and update individual or shared writing products, taking advantage of technology’s capacity to link to other information and to display information flexibly and dynamically.

Reading - Key Ideas and Details

  • CCSS.ELA-LITERACY.L.9-10.1: Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.
  • CCSS.ELA-LITERACY.L.9-10.2: Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.
  • CCSS.ELA-LITERACY.L.9-10.3: Analyze how complex characters (e.g., those with multiple or conflicting motivations) develop over the course of a text, interact with other characters, and advance the plot or develop the theme.
Topics

Video Production

Media Literacy

Science

Education

Digital Literacy/Citizenship

STEM

Levels

Beginner

Intermediate

Materials

Mic

Post It Notes

White board, chalkboard or other visual board

Markers

Slides

Projector

Computers

Camera or Mobile Phone

Notebook

Light Kit

Padlet, Jamboard or other app for group collaboration

Estimated Time

1 Week